Mélancolique Gigolo / La Nova! Backdrop Blur
Mélancolique Gigolo / La Nova! Poster

Mélancolique Gigolo / La Nova!

Daniel is a gigolo. His patron is a wealthy woman who supports his law studies at university. One day Daniel’s patron discovers that the young man has a girlfriend. She immediately cuts off the supply of funds. Daniel is penniless and he is thrown out of his apartment. Stan, another gigolo and Daniel’s friend, concocts a plan to get rich. Daniel joins him in a plan to defraud the family of Mr. Norbert who has recently passed away by posing as one of the heirs. They threaten a lawyer and out of fear he joins them.

Top Cast

  • Anju Mira

    Anju Mira

    Daniel

  • Miharu Morina

    Miharu Morina

    Felicia

  • Miki Maya

    Miki Maya

    Stan

  • Mire Aika

    Mire Aika

    Matthew

  • Tsubasa Makoto

    Tsubasa Makoto

    Ballot

  • Jun Shibuki

    Jun Shibuki

    Bart

  • Hibiki Takumi

    Hibiki Takumi

    Armand

  • Shizuki Asato

    Shizuki Asato

    Claude

  • Hitomi Tsukikage

    Hitomi Tsukikage

    Anette

Overview

Daniel is a gigolo. His patron is a wealthy woman who supports his law studies at university. One day Daniel’s patron discovers that the young man has a girlfriend. She immediately cuts off the supply of funds. Daniel is penniless and he is thrown out of his apartment. Stan, another gigolo and Daniel’s friend, concocts a plan to get rich. Daniel joins him in a plan to defraud the family of Mr. Norbert who has recently passed away by posing as one of the heirs. They threaten a lawyer and out of fear he joins them.

Rating

NR / 10
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Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

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