Daniel Buren
Documentary about Daniel Buren’s second exhibition at the Wide White Space Gallery in Antwerp (Travail in situ, 11 May–5 June 1971).
Documentary about Daniel Buren’s second exhibition at the Wide White Space Gallery in Antwerp (Travail in situ, 11 May–5 June 1971).
Daniel Buren
Himself
Documentary about Daniel Buren’s second exhibition at the Wide White Space Gallery in Antwerp (Travail in situ, 11 May–5 June 1971).
Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70's Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.
A behind-the-scenes mockumentary of Tropic Thunder.
Jack Elliot, a one-time MVP for the New York Yankees is now on the down side of his baseball career. With a falling batting average, does he have one good year left and can the manager of the Chunichi Dragons, a Japanese Central baseball league find it in him?
A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional Disney-McDonald's-style fast-food empire.
Victor is a legal advisor who finds himself abandoned by his wife and fired the same day. He tries to seek comfort from different friends and family members, but everyone he meets is concerned with their own problems. His morale begins to falter when he realizes that no one cares about him.
After avenging the murder of his family, a former soldier is sprung from prison and recruited by a shadowy government agency.
Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.