Nous dehors
Nous, dehors, Bahia Bencheikh-El-Fegoun’s first documentary, exposes women and their bodies in the public space, occupied by men.
Nous, dehors, Bahia Bencheikh-El-Fegoun’s first documentary, exposes women and their bodies in the public space, occupied by men.
Nous, dehors, Bahia Bencheikh-El-Fegoun’s first documentary, exposes women and their bodies in the public space, occupied by men.
Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?
At the Maison des Femmes, women victims of violence are cared for. Elsewhere, they are threatened, brutalized, raped, mutilated, their suffering ignored. Here, they are listened to, supported, helped and believed. Diane, Manon, Inès, Awa and the others will give them a helping hand until they can stand up again. As a team. Even if it means risking their own equilibrium.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.
Set in a magnificent villa near a sun-drenched St. Tropez, lovers Jean-Paul and Marianne are spending a happy, lazy summer holiday. Their only concern is to gratify their mutual passion - until the day when Marianne invites her former lover and his beautiful teenage daughter to spend a few days with them. From the first moment, a certain uneasiness and tension begin to develop between the four, which soon escalates in a dangerous love-game.
Céline is expecting her firstborn. But she’s not the one who’s pregnant. In three months, her wife Nadia will give birth to their daughter. Under the gaze of her friends, her mother, and the law, Céline looks for her place and sense of legitimacy.
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.
This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.