Borough Market
A four-minute 16mm film of one of London's fruit and vegetable markets, made in 1995/96, a little while before its transformation into a temple of gastro-consumerism/gastro-tourism.
A four-minute 16mm film of one of London's fruit and vegetable markets, made in 1995/96, a little while before its transformation into a temple of gastro-consumerism/gastro-tourism.
A four-minute 16mm film of one of London's fruit and vegetable markets, made in 1995/96, a little while before its transformation into a temple of gastro-consumerism/gastro-tourism.
A promotional making-of documentary for the film The Matrix (1999) that devotes its time to explaining the digital and practical effects contained in the film. This is very interesting, seeing as how they're giving away the cinematic secrets that they created solely for the this movie, that have now been spoofed and referenced in countless other films.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
An ex-special services veteran, down on his luck and desperate for work, takes a job as a security guard at a run-down mall in a rough area of town. On his first night on the job, he opens the door to a distraught and desperate young girl who has fled the hijacking of a Police motorcade that was transporting her to testify as a witness in a trial. Hot on her heels is the psychopathic hijacker and his team of henchmen, who will stop at nothing to extract and eliminate the witness.
When a teenage girl is miraculously saved by a heart surgeon, the doctor begins to flirt with her. Her father doesn’t believe her and unbeknownst to all, the doctor is obsessed with the girl.
A couple receives a mysterious package from an old friend.
A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.