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Ken Nordine’s jazz spoken-word soundtrack was the inspiration for this work and a collection of body parts that Andrew Kötting had accumulated over the years of friends and family on super 8. "The true colour that flesh should be is the colour that flesh is".

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Ken Nordine’s jazz spoken-word soundtrack was the inspiration for this work and a collection of body parts that Andrew Kötting had accumulated over the years of friends and family on super 8. "The true colour that flesh should be is the colour that flesh is".

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