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Survivors of the Holocaust

This documentary blends personal accounts of what happened before, during and after WWII. One testimony tells of a sister sending tear-stained letters from the prison camp, while another survivor tells the story of how his father traded portions of the family's food that was being saved for the liberation march, a few slices of bread, for a Jewish prayer book in order to perform a Passover sedar and for Sabbath. Woven together with survivor testimonies, archival footage, original music, source music and survivors' personal photographs and artifacts, the documentary will show the richness of life before the war, the rise and fall of Nazi power, the liberation of the camps and life now, 50 years later, all as seen through the eyes of those who survived.

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Overview

This documentary blends personal accounts of what happened before, during and after WWII. One testimony tells of a sister sending tear-stained letters from the prison camp, while another survivor tells the story of how his father traded portions of the family's food that was being saved for the liberation march, a few slices of bread, for a Jewish prayer book in order to perform a Passover sedar and for Sabbath. Woven together with survivor testimonies, archival footage, original music, source music and survivors' personal photographs and artifacts, the documentary will show the richness of life before the war, the rise and fall of Nazi power, the liberation of the camps and life now, 50 years later, all as seen through the eyes of those who survived.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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