Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.
René Bouchard
R. de Cotret
Jean Isabelle
André Panneton
Danièle Panneton
Paul Thompson
Jean. François. Xavier. Three names, three figures that personify the triple image of a being who lives before our eyes the stages of his evolution and his liberation from sex, woman and death. Freed from his constraints, he becomes himself and, in his eyes, the woman is no longer the provocative element of a certain guilt of which he carried the weight.
As he helps a young artist with her upcoming exhibition, the owner of a mannequin shop's deadly, suppressed desires come to the surface.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.
Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.
Holly Parker, the wife of a wealthy diplomat, is compromised by the accidental death of a man who has been romantically pursuing her. She is forced by her mother-in-law to assume a new identity in order to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men. Eventually returning to the city of her downfall, she murders a blackmailer who threatens to expose her past. Amazingly, Holly is represented at her murder trial by her now adult son, who has become a public defender. In the hope of protecting her family, she refuses to reveal her real name and is known to the court as "Madame X".