A Woman
“A woman” (2009, Art Museum of Estonia) highlights the thoughts of a 51 year old woman from Ida-Virumaa
“A woman” (2009, Art Museum of Estonia) highlights the thoughts of a 51 year old woman from Ida-Virumaa
“A woman” (2009, Art Museum of Estonia) highlights the thoughts of a 51 year old woman from Ida-Virumaa
Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.
Years after her son's suicide, a woman longs to confront both the past and a friend of his who took his business idea.
Suffering from a severe case of depression, toy company CEO Walter Black begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter pushes for his parents to get a divorce.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
Feeling awkward and isolated, an imaginative and strong-willed teenage girl runs away from home with an older punk rock drifter.
The story of a young writer's transformation when her past invades her present.
Canadian folk artist Maud Lewis falls in love with a fishmonger while working for him as a live-in housekeeper.
Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.