Point of View: A Retrospective of Joe Sedelmaier Backdrop Blur
Point of View: A Retrospective of Joe Sedelmaier Poster

Point of View: A Retrospective of Joe Sedelmaier

"More storyteller than ad man"

As one of his generation's quintessential Mad Men, television commercial director Joe Sedelmaier's work was iconic, dynamic, and instantly recognizable--some twenty to thirty years later, people are still wondering 'Where's the beef?” He turned the advertising world on its brain-damaged head by casting offbeat non-actors in still-unforgettable spots. His brilliant, frequently hysterical commercials for Wendy's, Alaska Airlines, Federal Express and others were snappy slices of cultural quirk that tapped into the Cold War-fearing, corporate workaholic zeitgeist of the '70s and '80s with a sense of humor that cracked billions of smiles, sold billions of burgers, and sped up the default rhythm of time-based media.

Top Cast

  • Joe Sedelmaier

    Joe Sedelmaier

    Self

  • Mike Plante

    Mike Plante

    Self

  • Charles Mulvehill

    Charles Mulvehill

    Self

  • John Moschitta Jr.

    John Moschitta Jr.

    Self

  • Trevor Groth

    Trevor Groth

    Self

  • Bob Garfield

    Bob Garfield

    Self

  • Cliff Freeman

    Cliff Freeman

    Self

  • Tim Delaney

    Tim Delaney

    Self

  • John Deighton

    John Deighton

    Self

Overview

As one of his generation's quintessential Mad Men, television commercial director Joe Sedelmaier's work was iconic, dynamic, and instantly recognizable--some twenty to thirty years later, people are still wondering 'Where's the beef?” He turned the advertising world on its brain-damaged head by casting offbeat non-actors in still-unforgettable spots. His brilliant, frequently hysterical commercials for Wendy's, Alaska Airlines, Federal Express and others were snappy slices of cultural quirk that tapped into the Cold War-fearing, corporate workaholic zeitgeist of the '70s and '80s with a sense of humor that cracked billions of smiles, sold billions of burgers, and sped up the default rhythm of time-based media.

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