Ruins of Egypt. Luxor
A languid educational film about ancient Egypt, shot in 28mm, was sold through the Pathé catalogue for home screenings at the beginning of the twentieth century.
A languid educational film about ancient Egypt, shot in 28mm, was sold through the Pathé catalogue for home screenings at the beginning of the twentieth century.
A languid educational film about ancient Egypt, shot in 28mm, was sold through the Pathé catalogue for home screenings at the beginning of the twentieth century.
Egyptian archaeologists dig into history, discovering tombs and artifacts over 4,000 years old as they search for a buried pyramid in this documentary.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Egyptian gods summon the angel Lucifer, in order to usher in a new occult age.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
A young boy and his dog, who happens to have a genius-level IQ, spring into action when their time-machine is stolen and moments in history begin to be changed.
When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
A look behind the lens of Christopher Nolan's space epic.