The Photographer
When the Nazis murdered Faye Schulman’s family, she survived because she could operate a camera. She later joined the resistance and became one of the only known Jewish partisan photographers of WWII.
When the Nazis murdered Faye Schulman’s family, she survived because she could operate a camera. She later joined the resistance and became one of the only known Jewish partisan photographers of WWII.
When the Nazis murdered Faye Schulman’s family, she survived because she could operate a camera. She later joined the resistance and became one of the only known Jewish partisan photographers of WWII.
An interesting Chester study of a noteworthy survivor of Nazi’s death camps. She learned to be a photographer from her older brother, and it saved her life because the Nazi’s liked keeping records of things. Snippets of her life before, during and after World War II. Even if you aren’t mesmerized by it, surely you can watch for 11 minutes on such an important topic!
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
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Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
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A documentary focused on plastic pollution in the world's oceans.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.