Yo, Ocaña
A portrait of the Spanish painter José Pérez Ocaña (1947-83), who used transvestism and performances as his calling card.
A portrait of the Spanish painter José Pérez Ocaña (1947-83), who used transvestism and performances as his calling card.
Albert Giner
Ocaña
Nazario
Self
Pepe Ribas
Self
Marta Sentís
Self
José Manuel González
Self
Annick Jaccard-Beugnet
Self
José María Rondón
Self
Jesús Pérez Ocaña
Self
José Naranjo Ferrari
Self
A portrait of the Spanish painter José Pérez Ocaña (1947-83), who used transvestism and performances as his calling card.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
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