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Roland

The yellow house, resurgent image of the past, has opened a breach to an untold family story. This movie is a discreet investigation about the death of an uncle that I never knew. This story is unraveled by words, which were never spoken. It is an ascertainment of a disappearance amidst a snowy forest which seems to regenerate itself despite of the memory.

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The yellow house, resurgent image of the past, has opened a breach to an untold family story. This movie is a discreet investigation about the death of an uncle that I never knew. This story is unraveled by words, which were never spoken. It is an ascertainment of a disappearance amidst a snowy forest which seems to regenerate itself despite of the memory.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014