Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Ishtar Yasin Gutiérrez
Self
Mohsen Sadoon Yasin
Self
Deyar Sadoon Yasin
Self
Salman Sadoon Yasin
Self
Iaqin Radwan
Self
Nicte Robles
Self
Mostafa Basil
Self
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
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A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.