Convitto Falcone
Antonio is an journalist. A day his chief sends him to Palermo to write a piece about the school where studied Giovanni Falcone: a famous judge killed by the Mafia with his wife and colleague Francesca Morvillo.
Antonio is an journalist. A day his chief sends him to Palermo to write a piece about the school where studied Giovanni Falcone: a famous judge killed by the Mafia with his wife and colleague Francesca Morvillo.
David Coco
Rettore
Donatella Finocchiaro
Madre di Antonio Conti
Enrico Lo Verso
Padre di Antonio Conti
Guia Jelo
Professoressa
Marcello Mazzarella
Prof Carella
Salvatore Sclafani
Antonio Conti
Antonio is an journalist. A day his chief sends him to Palermo to write a piece about the school where studied Giovanni Falcone: a famous judge killed by the Mafia with his wife and colleague Francesca Morvillo.
Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.
Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.
Fleeing from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno has found some protection in Venice. But the Roman Inquisition, fearing his influence in Europe, wants to bring him on trial for 'heresy'.
The incredible true story behind the most controversial Italian court cases in recent years. Stefano Cucchi was arrested for a minor crime and mysteriously found dead during his detention. In one week's time, a family is changed forever.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
It explores the tragic events leading up to the murder of 21-year-old Willy Monteiro Duarte, highlighting the intertwining of chance encounters, rivalries, and latent tensions.
Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.