I am the nature

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

An epic journey of a young hero and her Spirit Guides, 'Dillo' a cute and humorous armadillo and "Vaca" a goofy oversized tapir, who embark on a quest to save their home in the spectacular Amazon Rainforest.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

In 1981, an enthusiastic young adventurer follows his dreams into the Bolivian Amazon jungle with two friends and a guide with a mysterious past. Their journey quickly turns into a terrifying ordeal as the darkest elements of human nature and the deadliest threats of the wilderness lead to an all-out fight for survival.

A million years ago in Africa: the last of the ape-humans is on flight from the humans, who killed the rest of his clan. Alone, seeking others of his kind, he traverses steps, deserts and mountains until he reaches the coast. But there are already humans, too.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.