José Sabogal, Grabador
This documentary showcases the woodcut work of the artist José Sabogal (1888-1956), who started the Indigenist School of Peru.
This documentary showcases the woodcut work of the artist José Sabogal (1888-1956), who started the Indigenist School of Peru.
This documentary showcases the woodcut work of the artist José Sabogal (1888-1956), who started the Indigenist School of Peru.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
A courageous and athletic teenager, Kayara dreams that she is destined to be the first female to break into the league of Chasquis - the official messengers of the Incan empire. As she learns what it takes to be a Chasqui along with its challenges, she tackles every mission she gets and discovers the ancient stories of her land and her people.
An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A Coca-Cola bottle dropped from an airplane raises havoc among a normally peaceful tribe of African bushmen who believe it to be a utensil of the gods.
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
In Angola's mist-shrouded highlands, three KhoiSan master trackers embark on a spiritual quest to rediscover the legendary "ghost elephants" of Lisima, creatures presumed lost but remembered in ancestral trance, ritual, and memory.
Like some other kids, 12-year-old Trevor McKinney believed in the goodness of human nature. Like many other kids, he was determined to change the world for the better. Unlike most other kids, he succeeded.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.