A Russian Anna and a German Anna begin their dialogue in the middle of a backdrop landscape in a birch forest. During the conversation, they change their points of view and positions. In the end, it's all about the question of direction: Anna, where are you going?
A Russian Anna and a German Anna begin their dialogue in the middle of a backdrop landscape in a birch forest. During the conversation, they change their points of view and positions. In the end, it's all about the question of direction: Anna, where are you going?
In 1933 in Berlin. Anna is only nine years old when her life changes from the ground up. To escape the Nazis, her father Arthur Kemper, a well-known Jewish journalist, has to flee to Zurich. His family, Anna, her twelve-year-old brother Max and her mother Dorothea, follow him shortly thereafter. Anna has to leave everything behind, including her beloved pink rabbit, and to face a new life full of challenges and privations abroad.
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
Two drifters bum around, visit earthy women and discuss opening a car wash in Pittsburgh.
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.
Two old friends meet for dinner; as one tells anecdotes detailing his experiences, the other notices their differing worldviews.
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Violin teacher Anna Bronsky detects remarkable talent in a student, Alexander. Anna becomes obsessed with mentoring him, neglecting her family and spiralling under mounting pressure. As her fixation overtakes her, all is staked on exam day.