The Scenic Sacrifice

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.

The film tells different stories in a kind of parallel Germany about love, affection and hatred.

In early 19th century New England, an unscrupulous woman uses her beauty and wits to seduce, deceive and control the men around her.

Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.

A pro ball player with a substance abuse problem is forced into rehab in his hometown, finding new hope when he gets honest about his checkered past, and takes on coaching duties for a misfit Little League team

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old - nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Truck driver Mike Lambert is a down-and-out mining engineer searching for a job. When his rig breaks down in a small town, he happens upon a venomous seductress. When her boyfriend robs a bank, they intend to frame Lambert.