A Venezuelan black comedy from 1982 directed by César Bolívar, Domingo de Resurrección follows a middle-class family who head to the beach for Holy Week. Their Easter Sunday takes a dark turn when the grandmother dies peacefully in her sleep, triggering a chaotic chain of tragicomic misadventures. The film blends humor and absurdity as the family desperately tries to handle the situation amid everyday Venezuelan chaos.
Juan Manuel Laguardia
Carmen Julia Álvarez
Franklin Vírgüez
Arturo Calderón
Flavio Caballero
Yajaira Paredes
Júlio Gasette
Alfonso Urdaneta
Miguelangel Landa
A Venezuelan black comedy from 1982 directed by César Bolívar, Domingo de Resurrección follows a middle-class family who head to the beach for Holy Week. Their Easter Sunday takes a dark turn when the grandmother dies peacefully in her sleep, triggering a chaotic chain of tragicomic misadventures. The film blends humor and absurdity as the family desperately tries to handle the situation amid everyday Venezuelan chaos.
A child does not stand the idea of having a new brother and dreams about drinking milk from the breasts of his mother again. The child asks the moon to bring him a tit only for him.
When rancher, Don Trinidad is on his deathbed, he confesses to his fumbling son Rogelio, that he has two other illegitimate sons and that he wishes them to be included in his will. When Rogelio tracks them down, he discovers that each of them has a completely different life.
Gloria is a 58-year-old divorcée. Her children have all left home but she has no desire to spend her days and nights alone. Determined to defy old age and loneliness, she rushes headlong into a whirl of singles’ parties on the hunt for instant gratification – which only leads to repeated disappointment and enduring emptiness. But when Gloria meets Rodolfo, an ex-naval officer seven years her senior, she begins to imagine the possibility of a permanent relationship.
When three siblings agree to meet and discuss their aging father's future, their reunion spirals into bickering, bantering and reliving old grudges.
Thomas is a meek man on the verge of a nervous breakdown. Despite his situation he decides to fake a work trip to go to Vallarta to confront Jero, a taxi driver who is sleeping with his wife.
Summer 1998 - the opening stages of Le Tour de France are relocated to Ireland. Belgian rider Dom Chabol (late 30s) has been one of the best “Domestiques” (support riders) on the Tour for the last 20 years. It’s a sacrificial role – setting pace, blocking wind, and providing support to enable the team’s sprinter to victory - winning is not an option. But Dom secretly harbours a desire to wear the yellow jersey - just once before his career is over. At the start of what will likely be his last Tour, Dom is unceremoniously dropped from the Team he has dedicated his life to. His best mate Sonny, the team masseur, fails to reassure him about his future. But a chance liaison with Lynn, a young Irish doctor, softens the blow, and Dom starts to accept - and even enjoy - the idea of civilian life. But as he gears up to go home and to face his estranged sister, a massive doping error knocks another teammate off the Tour and Dom is thrown back in the saddle…
When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?
When a group of old college friends reunite over a long weekend after one of them attempts suicide, old crushes and resentments shine light on their life decisions, and ultimately push friendships and relationships to the brink.
After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.
When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.