Like the Ones I Used to Know
December 24, 1983, 10:50 p.m.; Julie and her cousins ate too much sugar, and Santa Claus is late. Denis, alone in his car, is anxious about setting foot in his former in-laws’ house to pick up his children.
December 24, 1983, 10:50 p.m.; Julie and her cousins ate too much sugar, and Santa Claus is late. Denis, alone in his car, is anxious about setting foot in his former in-laws’ house to pick up his children.
Steve Laplante
Denis
Lilou Roy-Lanouette
Julie
Larissa Corriveau
Chritiane
Amélie Grenier
Lisette
Jeremie Jacob
Martin
Laurent Lemaire
Mathieu
Jérémy Tremblay Boudreau
Steve
Alice Charbonneau
Marie-Pierre
Émir Cloutier
Daniel
December 24, 1983, 10:50 p.m.; Julie and her cousins ate too much sugar, and Santa Claus is late. Denis, alone in his car, is anxious about setting foot in his former in-laws’ house to pick up his children.
Personal shopper Gwen's newest client, Charlie, is a high-rolling, workaholic, single father. When Gwen meets his 8-year-old son, Owen, during a package drop, she is saddened to see just how little time Charlie spends with him. Determined to get Charlie to appreciate his family, Gwen makes it her Christmas mission to get him into the festive spirit.
George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
Elderly woman Berthe leaves her house to live with her daughter Emilie. Emilie and her brother Antoine had a falling out three years ago and have not seen each other since, but Emilie invites him for Christmas. Memories will resurface and impact both Berthe's destiny and the strange relationship between Emilie and Antoine.
Second chances start when a hardened criminal crosses paths with a precocious little girl who is helped by an angel to change hearts during the holiday season.
Jackie Foster, a dynamic Assistant District Attorney and single mom, is looking forward to wrapping up her latest case and spending Christmas with Gracie, her adorable and precocious, eight-year old daughter. But when Jackie’s estranged dad, Jack , a gruff retired police officer, unexpectedly shows up at her door, they will be forced to confront old wounds.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment, and the fact that there is no woman in the house to care for the children—Evelyn, Dermot and Maurice—make it clear to the authorities this is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.
When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.
Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.
In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.