Jeu de Société
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.
Bastien Ughetto
Nicolas
Roxane Bret
Victoire
Antoine Basler
Père
Anouchka Csernakova
Grand-Mère
Ernst Umhauer
Adam
Julie Caignault
Mère
Adrien Melin
Oncle
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.
A man in his mid-20s, still living at home with his mother and stepfather, puts all his eggs in one basket: the girl who works at his local coffee shop. The problem is, she has a serious boyfriend. As they become closer, the line between friendship and intimacy is blurred, and the situation forces both to examine where they are in their lives.
Improbable encounters bring tenderness, laughter and compassion to a world of urban alienation.
A burned-out paramedic tries to survive his last 24 hours on the job while training a new recruit.
When the ongoing rivalry between farmers Michael and Jack suddenly escalates, it triggers a chain of events that take increasingly violent and devastating turns, leaving both families permanently altered.
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who likes to write poetry, who only wants to be left alone to do his job, becomes a target for Communist harassment as they try and locate a particular loyalist, and he pushes back.
1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.
A series of eerie events thrusts an unlikely trio onto the trail of a nefarious government conspiracy lurking directly beneath their neighborhood.
A group of farm animals rise up against their neglectful owner, dreaming of equality and freedom. But as the pigs take control, the revolution turns into tyranny, with truth rewritten and dissent crushed.
Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.