Makar Kanti Chatterjee is a semi-educated self-made businessman who tries hard but often fails to communicate in English. On the other hand, his brother-in-law, Suman, gets romantically involved with a woman married to a reticent forest officer, Ashoke Sanyal. The screenplay is based on the story, Baba Hoya and Swami Hoya, by Buddhadeb Guha.
Abir Chatterjee
Ashoke Sanyal
Nusrat Jahan
Smita Sanyal
Arna Mukhopadhyay
Suman
Madhurima Basak
Nabanita
Phalguni Chatterjee
Mohan Kaka
Poulami Basu
Sreemati Chatterjee
Sagnik Chowdhury
Rakesh
Rahul Sengupta
Sourav Ray
Indrajit Chakraborty
Amit
Makar Kanti Chatterjee is a semi-educated self-made businessman who tries hard but often fails to communicate in English. On the other hand, his brother-in-law, Suman, gets romantically involved with a woman married to a reticent forest officer, Ashoke Sanyal. The screenplay is based on the story, Baba Hoya and Swami Hoya, by Buddhadeb Guha.
When Naveen brings his fiancé Jay home to meet his traditional Indian family, they must contend with accepting his white-orphan-artist boyfriend and helping them plan the Indian wedding of their dreams.
Dennis, owner of a rubber plantation in Cochinchina, is involved with Vantine, who left Saigon to evade the police. When his new surveyor arrives along with his refined wife Dennis is quickly infatuated by her.
In the 1930s, British officer John Truscott journeys to a remote village in colonial Malaysia to educate and Westernize the local Iban population. There, he's introduced to the lovely Selima. In keeping with tradition, Selima is assigned to sleep with Truscott and teach him the native language and customs. But when they fall in love, both colonists and natives object to their plans to marry.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
Indian scout Tom Jeffords is sent out to stem the war between the American settlers and Apaches in the late 1870s Arizona. He learns that the Indians kill only to protect themselves, or out of retaliation for white atrocities.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
Po is gearing up to become the spiritual leader of his Valley of Peace, but also needs someone to take his place as Dragon Warrior. As such, he will train a new kung fu practitioner for the spot and will encounter a villain called the Chameleon who conjures villains from the past.
A young girl overcomes her disadvantaged upbringing in the slums of Uganda to become a Chess master.