A spectacular chase between the prince and the monster opens the scene, featuring a love story with a kidnapped princess, two warring antagonists—the Queen of the Night and Sarastro—, "funny characters" like Papageno and Papagena, and, last but not least, the magical instruments of flute and glockenspiel... The enchanting music and fairytale motifs make "The Magic Flute" the perfect introduction to the world of opera for young and old.
Mauro Peter
Tamino
Joana Mallwitz
Conductor
Brenda Rae
Queen of the Night
Regula Mühlemann
Pamina
Tareq Nazmi
Sarastro
Michael Nagl
Papageno
A spectacular chase between the prince and the monster opens the scene, featuring a love story with a kidnapped princess, two warring antagonists—the Queen of the Night and Sarastro—, "funny characters" like Papageno and Papagena, and, last but not least, the magical instruments of flute and glockenspiel... The enchanting music and fairytale motifs make "The Magic Flute" the perfect introduction to the world of opera for young and old.
This is a reworking of Mozart’s _Die Zauberflöte_ (_The Magic Flute_). That opera (in this summary, the reader is assumed to be familiar with the opera) is presented as a tale related by a grandfather to three grandsons. The narration of the tale serves to frame the opera proper. The grandfather, the boys and their family appear to live in Vienna (or Salzburg?) about a hundred years ago. Almost all the roles in the opera itself are taken by persons who are family members. The director, Lydia Steier, says in a separate video that one of the focuses of the production is how the opera’s action affects the three boys. Another innovation is that Sarastro and his community turn out to be solders who eventually engage in battle, with casualties. The opera is performed with the usual singing roles, but the purely spoken parts of the original opera are dropped and are replaced by dialog between the grandfather, the boys and a few others such as Papageno.
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