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NR 0h 12m

Temporal Derivatives of First Order

Lina Dussans choreographies are filmed through a small window. Immediately, a bridge is drawn between her rhythmic gymnastics movements and the demanding mathematical formulas to which she submits her body to achieve perfection. This is a translation of Linas daily life and dead times at the gym, which have dominated her body under mechanisms of repetition.

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Lina Dussans choreographies are filmed through a small window. Immediately, a bridge is drawn between her rhythmic gymnastics movements and the demanding mathematical formulas to which she submits her body to achieve perfection. This is a translation of Linas daily life and dead times at the gym, which have dominated her body under mechanisms of repetition.

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