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Sentimental Journey

The first part of the film is in colour and consists of arguments about how to make films and what film to make. The film then changes to black and white and the argument continues about houses and planning, with shots of the destruction of a house, and shots from other films of the houses it used to be. The arguments are not conclusive and the film is about doubts rather than certainties. - A.R.

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Overview

The first part of the film is in colour and consists of arguments about how to make films and what film to make. The film then changes to black and white and the argument continues about houses and planning, with shots of the destruction of a house, and shots from other films of the houses it used to be. The arguments are not conclusive and the film is about doubts rather than certainties. - A.R.

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Visions of Light

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

7.0 1992