The days between the end of the military dictatorship and the beginning of the constitutional period from 1983: political debates in the streets and the meetings of the Mothers of Plaza de Mayo, who were waiting for the role that each political party would play to claim for the disappeared. Osvaldo Bayer in first person.
Osvaldo Bayer
Himself
The days between the end of the military dictatorship and the beginning of the constitutional period from 1983: political debates in the streets and the meetings of the Mothers of Plaza de Mayo, who were waiting for the role that each political party would play to claim for the disappeared. Osvaldo Bayer in first person.
Oprah Winfrey talks with the exonerated men once known as the Central Park Five, plus the cast and producers who tell their story in "When They See Us."
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
An unflinching look at the how the battle over abortion rights has played out in the United States over the last 15 years.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Serial killer Dennis Nilsen narrates his life and horrific crimes via a series of chilling audiotapes recorded from his jail cell.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.