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"With their montage of found footage of audiences, Müller and Girardet shape a captivating dramatic arc. It contains condensed suspense with highs, lows, hesitations, peaks, tension and humour; it's all a bit uncanny, since our imagination can read fathoms deep into the faces." (Anke Groenewold, Neue Westfälische, Bielefeld, 2003)

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"With their montage of found footage of audiences, Müller and Girardet shape a captivating dramatic arc. It contains condensed suspense with highs, lows, hesitations, peaks, tension and humour; it's all a bit uncanny, since our imagination can read fathoms deep into the faces." (Anke Groenewold, Neue Westfälische, Bielefeld, 2003)

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Georgetown

Ulrich Mott is an eccentric and versatile social climber with grandiose plans to affect United States foreign policy. Encouraged in his attempts by his strategically chosen (and much older) wife, the well-connected journalist Elsa Brecht, Mott has a knack for making himself indispensable and impossible to ignore. The only one seemingly immune to his charms is Elsa's daughter Amanda, who might simply disapprove of her mother marrying a much younger man - or perhaps she senses something more sinister beneath the smooth-talking surface?

Georgetown

5.9 2019