A Bum Deal
In 1932, Michel Simon plays in "Boudu sauvé des eaux" under the direction of Jean Renoir. Three years later, he was again invited to don the clothes of the famous tramp on the sets of Boulogne.
In 1932, Michel Simon plays in "Boudu sauvé des eaux" under the direction of Jean Renoir. Three years later, he was again invited to don the clothes of the famous tramp on the sets of Boulogne.
Michel Simon
Boudu
In 1932, Michel Simon plays in "Boudu sauvé des eaux" under the direction of Jean Renoir. Three years later, he was again invited to don the clothes of the famous tramp on the sets of Boulogne.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.
From the Atlantic to the Black Sea, Mathias and Philippe, two old friends, embark on a bicycle journey that Mathias’s son made before his tragic death. The two men ride through the ordeals with tenderness, humor and emotion.
Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house.
A man attempts to evade observation by an all-seeing eye.
After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.
The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.
Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.
An improv group deals with several crises, including the loss of their lease and one member hitting the big time.
Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?