Moonlit Night and Opal Backdrop Blur
Moonlit Night and Opal Poster

Moonlit Night and Opal

Half asleep with my eyes closed, my conscience flies beyond time and space and I transform myself to all the life forms existing. I become the universe and the universe becomes me, until I fall asleep.... It is a song to pray for the existence of heart and soul at an awakening.

Top Cast

Overview

Half asleep with my eyes closed, my conscience flies beyond time and space and I transform myself to all the life forms existing. I become the universe and the universe becomes me, until I fall asleep.... It is a song to pray for the existence of heart and soul at an awakening.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Monster High: Welcome to Monster High

Monsters once lived in hiding—even from each other—because they were afraid they would be in danger if humans knew they existed. But Draculaura, the daughter of Dracula, along with her best ghoulfriends, dreamt of a school where everyone was welcome and accepted for who they are. Determined to make their dream come true, the ghouls travel the world on an epic adventure to recruit new students. But even in this amazing place, there's drama: a villainess zombie is spreading trouble rather than friendship, and every student must live with the fear that their secret will be revealed. Now the ghouls must save their school so that every monster has a place where they belong and their uniqueness is celebrated!

Monster High: Welcome to Monster High

6.9 2016
Genius Party

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Genius Party

6.5 2007