A reframing of an old photograph of three men posing effortlessly in their Sunday best from the artist’s family album. At once a gentle account of family history, of lived experience, of intergenerational dialogue and of connection to the landscapes of one’s youth, the film contemplates the Black diasporic experience, and the construction and manifestations of Black masculinity in the context of rural South West England in the 20th century and now.
A reframing of an old photograph of three men posing effortlessly in their Sunday best from the artist’s family album. At once a gentle account of family history, of lived experience, of intergenerational dialogue and of connection to the landscapes of one’s youth, the film contemplates the Black diasporic experience, and the construction and manifestations of Black masculinity in the context of rural South West England in the 20th century and now.
A tale of four generations of men, all of whom have had their offspring at a young age: a great-grandfather, a grandfather, a father in his twenties and a son who is about 7 years old. When the oldest member passes away, the trio heads out on the road together in the Southwest to search out an old family secret that connects to their past.
An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
To teach his sheltered grandson about the real world, Madea's foul-mouthed brother Joe takes the college-bound teen on a raucous cross-country road trip.
After a family tragedy, Charlie and his estranged son, Boots, try to put their differences aside and head off on the road trip of a lifetime - from regional Victoria to the Cape York Peninsula - they overcome many challenges to reach their dream - to fish off the northernmost tip of Australia.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970s Britain.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
Young Cedric Errol and his widowed mother live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric's grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl's remaining son, he decides to accept Cedric as his heir.
George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a priest in a more Christian area of the world, Father Chisholm struggles. He encounters hostility, isolation, disease, poverty and a variety of set backs which humble him, but make him more determined than ever to succeed.