Keeping in Touch

After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Following the death of his wife, a young father's hold on reality crumbles, and a strange presence begins to stalk him from the shadowy recesses of the apartment he shares with his two young sons.

A fraught mother-daughter relationship is put to a terrifying test when the family patriarch dies, and the grieving mother hires a mysterious stranger to bring her husband back from the dead.

In an attempt to avenge her daughter’s death, Irene Kelly travels through parallel universes, killing her daughter’s murderer again and again. As she becomes consumed by vengeance, her humanity begins to slip away—until the cycle is disrupted when she rescues Mia, a sharp-witted teenager already marked by the killer.

The night after another unsatisfactory New Year's party, Tim's father reveals to him that the men in their family have the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.

Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.

Oona, a recent graduate in anthropology, has returned to her dead mother’s seaside cottage in southern England to prepare it for sale. Her arrival disturbs Mani, a wary vagrant who has been squatting on the property.

An outwardly normal schoolteacher preys on suicidal women to slake his overwhelming thirst for human blood.

As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.