Window, Suzuki Backdrop Blur
Window, Suzuki Poster
NR 0h 13m

Window, Suzuki

The moment when malice takes shape Three young men and a woman are in a room in a flat. One of the men, Satou, has been shot dead, and the woman is crying, but it does not seem to be out of grief over Satou's death. Suzuki and Yamada are arguing about who should look out the window. They have no idea who has been shooting at this room, for what purpose, or at whom. They don't know what they're up against, where they are, or how many people they have. Did the police shoot at them because they had brought a woman into the room to rape her? If so, how did they find out? It could have been a mistake, but there is no way to be sure, and the reality is that there are dead bodies in front of them, and if they go near the window they could be shot. The leader of the group, Suzuki, is frustrated and Yamada tells him about the feelings he has had for Sato. Suzuki is emboldened by his accusation, but at that moment a second bullet is fired into the room .......

Top Cast

  • Hokuto Ogino

    Hokuto Ogino

  • Keiichi Orihara

    Keiichi Orihara

  • Daisuke Namiki

    Daisuke Namiki

  • Yoshiko Nonaka

    Yoshiko Nonaka

Overview

The moment when malice takes shape Three young men and a woman are in a room in a flat. One of the men, Satou, has been shot dead, and the woman is crying, but it does not seem to be out of grief over Satou's death. Suzuki and Yamada are arguing about who should look out the window. They have no idea who has been shooting at this room, for what purpose, or at whom. They don't know what they're up against, where they are, or how many people they have. Did the police shoot at them because they had brought a woman into the room to rape her? If so, how did they find out? It could have been a mistake, but there is no way to be sure, and the reality is that there are dead bodies in front of them, and if they go near the window they could be shot. The leader of the group, Suzuki, is frustrated and Yamada tells him about the feelings he has had for Sato. Suzuki is emboldened by his accusation, but at that moment a second bullet is fired into the room .......

Rating

NR / 10
0 Reviews
0

Recommendations

Harakiri

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Harakiri

8.4 1962
The Crimes That Bind

Michiko Oshitani, who lived in Shiga Prefecture, is found dead at an apartment in Tokyo. She was strangled to death. Mutsuo Koshikawa is the owner of the apartment and he goes missing. Detectives including Yuhei Matsumiya who is a cousin of Detective Kyoichiro Kaga , have difficulties in solving the case. They can't find a connection between Michiko Oshitani and Mutsuo Koshikawa. They soon learn that Michiko Oshitani came to Tokyo to visit Hiromi Asai . They graduated from the same school, but there isn't a connection between Hiromi Asai and Mutsuo Koshikawa. Detective Yuhei Matsumiya finds something near Michiko Oshitani's body. That something has the names of 12 bridges surrounding the Nihonbashi area of Tokyo. Detective Kyoichiro Kaga learns of the clue and becomes agitated. There's a connection with his late mother

The Crimes That Bind

7.3 2018