At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.
Paul Burian
Joseph Marti
Verena Buss
Frau Tobler
Wolfram Berger
Wirsich
Hannelore Hoger
Klara
Pierre Siegenthaler
Eisenbahner
At the end of the 19th century, an educated white-collar worker finds himself in the employ of an inventor. As he is neither a "worker" nor an "owner," his position in the inventor's household and in the world at large is equivocal. Despite the difficulties he encounters, he tries to hold onto his job in order to support his family, but is eventually fired. This Swiss movie is based on a novel written around 1900 by Robert Walser.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
A former special forces contractor is forced out of retirement as an avocado farmer in Mexico when local gangsters try to force him and his family off their farm.
Vincent, a young man who suffers from Tourette's syndrome, has just lost his mother. His father, a successful politician, does not want to take care of him and therefore places him into a mental institution. He is put into a room with Alexander, a guy with a compulsive disorder, and is shown around by Marie, an anorectic girl.
Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.
Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.
Henry Tawes, a middle-aged sheriff in a rural Tennessee town, is usually the first man to criticize others for their bad behavior. Miserable in his marriage, Henry falls in love with teenage seductress Alma, who is the daughter of local criminal and moonshiner Carl McCain. Henry's moral character comes further into question when he is tempted to conceal Carl's crimes in order to prolong his relationship with Alma.
Fresh out of prison, a former debt collector working for a gangland boss is told he has a terminal brain tumour. In an attempt to atone for his past he rescues a young girl from trafficking, forcing him into a deadly game of cat-and-mouse with his boss.
A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.
Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.