Loving Vincent

Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

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The film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. A fiery teenager, Kitty wakes up in the near future in Anne Frank's house in Amsterdam and embarks on a journey to find Anne, who she believes is still alive, in today's Europe. While the young girl is shocked by the modern world, she also comes across Anne's legacy.

Summer 1939. Influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.

Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history. Will they come to terms with what they uncover, or will they make... the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it? A theatrical screening of episode 8 and the all new, hour-long episode 9.

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

The true story of Mamie Till Mobley's relentless pursuit of justice for her 14-year-old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi.