Werther Backdrop Blur
Werther Poster
NR 2h 24m

Werther

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Top Cast

  • Marcelo Álvarez

    Marcelo Álvarez

    Werther

  • Elīna Garanča

    Elīna Garanča

    Charlotte

  • Adrian Eröd

    Adrian Eröd

    Albert

  • Ileana Tonca

    Ileana Tonca

    Sophie

  • Alfred Šramek

    Alfred Šramek

    Le Bailli

  • Peter Jelosits

    Peter Jelosits

    Schmidt

  • Markus Pelz

    Markus Pelz

    Johann

  • Clemens Unterreiner

    Clemens Unterreiner

    Brühlmann

  • Maria Gusenleitner

    Maria Gusenleitner

    Käthchen

Overview

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations