Beni (Danyel Sueth) goes to visit his older brother, Nicolas (Ivan Forneron) in the old family home where they were raised. In a small town, in the interior of the country, where people's lives are common to each other, many taboos and judgments can remain alive forever. It is in this context that “Don’t Return” surprises the viewer, unraveling this thought-provoking story in layers.
Danyel Sueth
Beni
Ivan Forneron
Nicolas
Beni (Danyel Sueth) goes to visit his older brother, Nicolas (Ivan Forneron) in the old family home where they were raised. In a small town, in the interior of the country, where people's lives are common to each other, many taboos and judgments can remain alive forever. It is in this context that “Don’t Return” surprises the viewer, unraveling this thought-provoking story in layers.
Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.
The story of two brothers, Tom and Jake, and their problematic relationship.
Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Caithness to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
An ex-felon returns home from prison and must confront the demons of his past.
The screen adaptation of Azar Nafisi’s memoir tells the true story of a literature professor in revolutionary Iran who, amidst censorship and religious extremism, gathers seven of her most dedicated female students to immerse themselves in banned literary classics.
American retired Judge Randall Nemes and his hired gun, Gaspar, track down a con man posing as a priest in a small Colombian town only to be thrown off-course by a scrappy 16-year-old girl intent on reuniting with her sister in the United States.
A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.
Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
In a small village, a lonely fisherman yearning for a son is drawn to an ethereal light that links him to others and their long-buried secrets.