Stopped Making Excuses Backdrop Blur
Stopped Making Excuses Poster

Stopped Making Excuses

"It’s like an ascension"

What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.

Top Cast

  • Mac Miller

    Mac Miller

  • Quentin Cuff

    Quentin Cuff

  • Jimmy Murton

    Jimmy Murton

  • Garrett Uddin

    Garrett Uddin

    Clockwork

  • 88-Keys

    88-Keys

  • French Montana

    French Montana

Overview

What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014