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Two Pieces for the Precarious Life

“They were more or less subjective camera films.The camera was my eye, involved in simple daily sorts of activities. One part was colour and one part was black and white.” (Lost?)

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“They were more or less subjective camera films.The camera was my eye, involved in simple daily sorts of activities. One part was colour and one part was black and white.” (Lost?)

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Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016