In their correspondence, the friendship between Jorge Lozano and Lina Rodríguez translates into an obvious creative complicity. Through a series of quiet, poetic flashes, the two filmmakers articulate a compelling reflection on the materials of cinema. A fascinating object mixing self-portraits, anonymous home movies and images shot in different South American countries.
In their correspondence, the friendship between Jorge Lozano and Lina Rodríguez translates into an obvious creative complicity. Through a series of quiet, poetic flashes, the two filmmakers articulate a compelling reflection on the materials of cinema. A fascinating object mixing self-portraits, anonymous home movies and images shot in different South American countries.
The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.
An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Following a tense encounter with a mysterious stranger with otherworldly powers, a man finds himself banished to a parallel, tyrannical Earth, where he fights to get back to the woman he loves.
In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan's wandering hands and meaningful looks. With a revolving door of beauties streaming out of Juan's bedroom, his machismo seems firmly in place. However, the attraction between the two men is undeniable.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.