We Can Dream, Can't We?
Humorous look at fantasy gadgets like ketchup in a tube, tilting book shelves, etc.
Humorous look at fantasy gadgets like ketchup in a tube, tilting book shelves, etc.
Pete Smith
Narrator
Humorous look at fantasy gadgets like ketchup in a tube, tilting book shelves, etc.
Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.
Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Armed with boyish charm and a sharp wit, the former "SNL" writer offers sly takes on marriage, his beef with babies and the time he met Bill Clinton.
Ricky Gervais dishes out controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity.
Jerry Seinfeld takes the stage in New York and tackles talking vs. texting, bad buffets vs. so-called "great" restaurants and the magic of Pop Tarts.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Lifelong best friends, Sam and Jess, are each other’s everything. But when Jess meets a handsome out-of-stater, Landon, Sam begins to fear she’s being cast aside. To make matters worse, a massive corporation - who happens to be Landon’s employer - is threatening the small-town way of life they know and love in Vermont. In order to save her sisterhood and protect the town, Sam will pull out all the stops to keep both Jess’s relationship and the ominous company from developing any further.
As a writer named Mike struggles to shepherd his semi-autobiographical sitcom into development, his vision is slowly eroded by a domineering network executive named Lenny who favors trashy reality programming. The irony, of course, is that every crass suggestion Lenny makes improves the show's response from test audiences and brings the show a step closer to getting on the air.
Eddie arrives on stage through a huge book which opens to reveal herself sitting at the top of a staircase. Then discusses Caesar dog food, 24 hour garages, Latin, and winds her way through James Bond gadgets, Einstein and Pavlov.
God presides over a prehistoric tribe.