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A YEAR WHOSE DAYS ARE LONG

A jail setting juxtaposed against the wedding of Princess Diana on television thrusts both post modern irreverence and reification of icons onto the refracted visceral harshness of a spartan locked environment, capturing both the confining artifice of modern life and the all too real loss of liberty experience by women in prison.

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Overview

A jail setting juxtaposed against the wedding of Princess Diana on television thrusts both post modern irreverence and reification of icons onto the refracted visceral harshness of a spartan locked environment, capturing both the confining artifice of modern life and the all too real loss of liberty experience by women in prison.

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NR / 10
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