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Overview
Shirouyasu Suzuki's first short films shot on 8mm.
Rating
Recommendations
Amateur photographer Makoto and the homely but endearing Shizuru meet during their university entrance ceremony and become instant friends. Shy by nature, Makoto finds himself opening up around Shizuru, who is secretly in love with him.
Heavenly Forest
A small, lone Kappa miraculously survives over 200 years into modern day Japan, when he is found by young Koichi. Coo, who is secretly adopted by Koichi's family, searches with his new human friend for unpopulated places in hopes of finding any remaining of his kind.
Summer Days with Coo
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
I'm Here
Because of her past, 17-year-old Rio lives her days filling the emptiness in her heart with money—until one day, she meets a university professor named Kouki and falls in love.
My Rainy Days
Misuzu Moritani is an introvert who has always had difficulty interacting with her classmates, quickly becoming flustered whenever someone tries to talk to her. Sometimes, she will use her ability to stop time for three minutes to escape troublesome social situations. One day, as Misuzu watches the suspended environment around her, she observes that her classmate, Haruka Murakami, is somehow able to move despite her temporal influence. From that moment on, Misuzu experiences new wonders as she explores more of the world she has long avoided; no matter where time may take her, Misuzu can count on Haruka to always be at her side.
Fragtime
Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.
It's a Summer Film!
In a small Japanese village at the end of the 19th century, a rickshaw driver's wife takes on a much younger lover and the two conspire to murder him.
Empire of Passion
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
The Pornographers
In 2015, Christopher Nolan curated a selection of short films by the surrealist animators the Quay Brothers to be distributed as a touring 35mm presentation. The three films—"In Absentia" (2000), "The Comb" (1991) and "Street of Crocodiles" (1986)—were accompanied by this brief portrait of the brothers at work in their London studio.
Quay
Inuyasha and his brother, Sesshomaru, each inherited a sword from their father after his death. However, their father had a third sword, named Sounga, that he sealed away. Seven hundreds years after his death, Sounga awakens and threatens mankind's very existence. How will the children of the Great Dog Demon stop this unimaginable power?