Necromancia Backdrop Blur
Necromancia Poster

Necromancia

Sokoloff’s and Grauer’s first major collaborative work, Necromancia, is a tableau vivant that combines enlightenment formalism with carnivalesque wackiness. A plastic toy strongman, his head replaced with that of a toy horse, drives a carriage pulled by a plastic stegosaurus. He is a kind of Master of Ceremonies in an anatomical realm made of plastic body parts, mylar sheeting, magazine cut-outs, and servo motors. Motors, which seem to bridge Grauer’s sculpture and Sokoloff’s film, also power a rotating stage displaying a similarly wide range of assembled toy parts. Asynchronously intercut with footage of Grauer’s art are Sokoloff’s signature New York cityscapes: skyscrapers, street performers, Greco-Roman municipal buildings, and Coney Island amusement rides.

Top Cast

Overview

Sokoloff’s and Grauer’s first major collaborative work, Necromancia, is a tableau vivant that combines enlightenment formalism with carnivalesque wackiness. A plastic toy strongman, his head replaced with that of a toy horse, drives a carriage pulled by a plastic stegosaurus. He is a kind of Master of Ceremonies in an anatomical realm made of plastic body parts, mylar sheeting, magazine cut-outs, and servo motors. Motors, which seem to bridge Grauer’s sculpture and Sokoloff’s film, also power a rotating stage displaying a similarly wide range of assembled toy parts. Asynchronously intercut with footage of Grauer’s art are Sokoloff’s signature New York cityscapes: skyscrapers, street performers, Greco-Roman municipal buildings, and Coney Island amusement rides.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Heavy Traffic

A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

Heavy Traffic

6.5 1973