Cayó de la gloria el diablo
Subsistence-economy slum guy who sells used newsprint for a living breaks into showbiz with an inadvertantly-comical fire-eater act. The novelty of him wears off very quickly, and then...
Subsistence-economy slum guy who sells used newsprint for a living breaks into showbiz with an inadvertantly-comical fire-eater act. The novelty of him wears off very quickly, and then...
Ignacio López Tarso
Don Eme (Emeterio Sánchez)
Claudia Islas
Esperanza / Popea
Evita Muñoz 'Chachita'
Nachita
Pancho Córdova
Ingeniero
Ernesto Gómez Cruz
Chester
Sergio Jiménez
Juan
Mario Casillas
Pepe, director TV
Juan Peláez
Julián, asistente TV
Marta Aura
Zoila Margarita Acosta, soprano
Subsistence-economy slum guy who sells used newsprint for a living breaks into showbiz with an inadvertantly-comical fire-eater act. The novelty of him wears off very quickly, and then...
Scott has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister heads off to college, Scott is still living with his exhausted ER nurse mother and spends his days smoking weed, hanging with the guys — Oscar, Igor and Richie — and secretly hooking up with his childhood friend Kelsey. But when his mother starts dating a loudmouth firefighter named Ray, it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life.
Louie Kritski is a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option -- he must live in his rat-infested hell hole until he brings it up to liveable standards.
Comedian Bill Burr sounds off on cancel culture, feminism, getting bad reviews from his wife and a life-changing epiphany during a fiery stand-up set.
Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.
After getting pregnant from a one-night stand, a single woman leans on her married best friend and mother of two to guide her through gestation and beyond.
Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.
Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film "Jivetime Jimmy's Revenge." When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.
Comedian Henry Phillips is lured to LA by a renowned TV producer who wants to bring his story of failure to the screen. But when a major network gets involved, Henry must decide whether he wants to make jokes for a living, or be the butt of them.
An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.
In her third Netflix stand-up special, Ali Wong reveals her wildest fantasies, the challenges of monogamy and how she really feels about single people.