On the 160-hectare grounds of the former Friedrichsfelde Palace Park, the Berlin Animal Park was established in the 1950s with the active support of the local population. In 1980, more than 7,800 animals from all continents live here. The film describes the foundation, the construction and the care of the animals in the extensive park.
Fritz-Jochen Kopka
Narrator
On the 160-hectare grounds of the former Friedrichsfelde Palace Park, the Berlin Animal Park was established in the 1950s with the active support of the local population. In 1980, more than 7,800 animals from all continents live here. The film describes the foundation, the construction and the care of the animals in the extensive park.
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
A glittery nightclub in 1920s Berlin becomes a haven for the queer community in this documentary exploring the freedoms lost amid Hitler’s rise to power.
A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.
The wild West Berlin of the 1980s became the creative melting pot of pop subcultures: music, art and chaos. Before the Iron Curtain fell, anything and everything seemed possible.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.
In Botswana's Okavango Delta, an ostracized lioness and her two cubs must fight alone to survive - overcoming all manner of hazards. Their only defense is to escape to Duba Island -- and with that, an unknown future. The setting for this epic tale is one of the last regions where lions can live in the wild. Faced with dwindling land and increasing pressure from hunting, lions - like our lone lioness and her cubs - are approaching the brink of extinction.