Amiche: andiamo alla festa
In this Italian film, the story and setting serve as a backdrop for the exposition of director Giorgio Trentin's philosophical conclusions about life, sex, religion, politics, economics, and Women's Liberation.
In this Italian film, the story and setting serve as a backdrop for the exposition of director Giorgio Trentin's philosophical conclusions about life, sex, religion, politics, economics, and Women's Liberation.
Patrizia Adiutori
Mario Bardella
Arturo Corso
Milla Johansson
Blonde girl from Trieste (credited)
In this Italian film, the story and setting serve as a backdrop for the exposition of director Giorgio Trentin's philosophical conclusions about life, sex, religion, politics, economics, and Women's Liberation.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
From childhood to fatherhood, Piero learns things the hard way while growing up in a working-class neighborhood of Livorno.
A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.
Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by step she remembers her childhood spent within a severe middle-class family. But a big secret is hidden within her heart. Sabina wants to contact again her brother, a University teacher in the US, to try to understand what is happened in their past. What is the secret? She is determined to bring clarity and serenity in her life. She finally manages to free herself from her "beast in the heart".