The last vermicelli
The Last Vermicelli is a uruguayan short film published in 1987, based on the story of the same name by Roberto Fontanarrosa.
The Last Vermicelli is a uruguayan short film published in 1987, based on the story of the same name by Roberto Fontanarrosa.
Martín Artigas
Eugenio Zares
Alfonso Montero
Alberto Sobrino
Imilce Viñas
Felipe Grant
The Last Vermicelli is a uruguayan short film published in 1987, based on the story of the same name by Roberto Fontanarrosa.
In the summer of 1983, a 17-year-old Elio spends his days in his family's villa in Italy. One day Oliver, a graduate student, arrives to assist Elio's father, a professor of Greco-Roman culture. Soon, Elio and Oliver discover a summer that will alter their lives forever.
The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.
Father Gabriele Amorth, Chief Exorcist of the Vatican, investigates a young boy's terrifying possession and ends up uncovering a centuries-old conspiracy the Vatican has desperately tried to keep hidden.
Introverted Girona student Nacho meets two delinquents from the city's Chinatown and gets caught up in a summer onslaught of burglaries and hold ups that will change his life.
Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.
After Matt's dreams of a picturesque Italian wedding are shattered when his fiancée leaves him at the altar, he embarks on his planned honeymoon across Italy alone, immersing himself in the country's vibrant culture, food, and beauty, meeting Gia along the way.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.
After his father's death, Eric Zimmerman travels to Spain to oversee his company's branches. In Madrid, he falls for Judith and engage in an intense, erotic relationship full of exploration. However, Eric fears his secret may end their affair.