En Famille
"Kids in Colour in Shenanigans"
This Film is a visual interpretation of the poem En Famille (1979) by Irish poet Paul Duncan. It explores the complexities of aging and a yearning for the simplicity of youth.
"Kids in Colour in Shenanigans"
This Film is a visual interpretation of the poem En Famille (1979) by Irish poet Paul Duncan. It explores the complexities of aging and a yearning for the simplicity of youth.
This Film is a visual interpretation of the poem En Famille (1979) by Irish poet Paul Duncan. It explores the complexities of aging and a yearning for the simplicity of youth.
The tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family—every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family's last hope.
A terminally ill mother invites her family to their country house for one final gathering, but tensions quickly boil over between her two daughters.
Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it's love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage.
A trip to church with her family on Christmas Eve gives young Angela an extraordinary idea. A heartwarming tale based on a story by Frank McCourt.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
Pansy is a woman so full of rage that every interaction she has devolves into lashing out, whether at her utterly cowed husband and son, or random strangers who have the temerity to address her. In contrast, her younger sister Chantelle lives with her two vivacious daughters and plies a successful trade as a hairdresser, putting clients at their ease all day long. Yet beneath Pansy’s abrasive exterior are hints of a more fragile psyche, one motivated by fear and damaged by repressed pain.
Will is looking for an escape from his family when he encounters Lee, the school bully. Armed with a video camera and a copy of Rambo, Lee plans to make his own action-packed video epic.
When Shirley, Madea's niece, receives distressing news about her health, the only thing she wants is her family gathered around her. However, Shirley's three adult children are too preoccupied with their own troubled lives to pay attention to their mother. It is up to Madea, with the help of rowdy Aunt Bam, to bring the clan together and help Shirley deal with her crisis.
As a top student at St. Adeline's Catholic Boarding School, Zoe senses that something is not quite right about the school's new nun-- a sense proven to be true when it is revealed the "good' nun is an imposter with a fatal attraction to Zoe's brother.
The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.