Seventeen-year-old Ginia leaves the countryside in search of a new life in Turin. Restless and seeking adventure, Ginia soon finds it in the beautiful, enigmatic Amelia, whose sensuality and confidence embolden her to begin modeling for the bohemian artists in their circle. A whirlwind affair ensues, and the young seamstress finds herself swept up in an unfamiliar and exciting world of discovery.
Yile Yara Vianello
Ginia
Deva Cassel
Amelia
Nicolas Maupas
Severino
Alessandro Piavani
Guido
Adrien Dewitte
Rodrigues
Cosima Centurioni
Rosa
Gabriele Graham Gasco
Massimo
Anna Bellato
Mrs. Gemma
Andrea Bosca
Dr. Andrea
Seventeen-year-old Ginia leaves the countryside in search of a new life in Turin. Restless and seeking adventure, Ginia soon finds it in the beautiful, enigmatic Amelia, whose sensuality and confidence embolden her to begin modeling for the bohemian artists in their circle. A whirlwind affair ensues, and the young seamstress finds herself swept up in an unfamiliar and exciting world of discovery.
It’s frustrating to watch a film that’s ostensibly headed along a particular trajectory but that continually stumbles on the path it takes to get there. That’s precisely what happens in this period piece coming out/coming of age story set in 1938 Italy. Writer-director Laura Luchetti’s adaptation of Cesare Pavese’s 1949 novel about an impressionable 17-year-old dressmaker (Yile Yara Vianello) who becomes romantically infatuated with an artist’s model (Deva Cassel) takes its own sweet time (and plenty of overlong detours) in making its way toward a seemingly foregone conclusion. But, even when this offering apparently approaches that destination, it takes yet another unexpected left-field turn and subsequently leads to what the filmmaker herself admits is a deliberately ambiguous conclusion. Consequently, this is the kind of movie that’s likely to leave many viewers scratching their head and asking, “What’s the point of all this?” The picture is allegedly intended to address a subject that was considered taboo at the time of the story’s setting and of the book’s writing, but that objective isn’t fulfilled nearly as clearly as it might have been. As a result, whatever lofty intentions might have been behind the initiation of this production, they’re decidedly obscured in the final cut. There are also some passing references to the fascist sociopolitical conditions of the time (elements not included in the source material), but they’re never developed much, making their inclusion look like throwaway afterthoughts. To its credit, “The Beautiful Summer” has some fine cinematography, well-chosen location settings showcasing the beauty of Turin and a stirring soundtrack, but, if these attributes are the best that one can say about the film, that’s not saying much about the picture overall. Luchetti’s third feature outing truly needs ample retooling to make it work, because, as it stands, it doesn’t.
Pio Amato, a 14 year-old member of a small Romani community in southern Italian town of Gioia Tauro in Calabria, is in a hurry to grow up. Pio follows his older brother Cosimo everywhere and from him he learns how to hustle and how to navigate the streets of his hometown. One night Pio sets out to prove to his brother that he is as good or better than him but, when things go wrong, a series of events will forever change the way he sees the world.
An Italian diplomat's son follows and seduces English lovers in Venice.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences.
Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.
In 1980s Naples, an awkward teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
The Guerrasio family and friends gather to celebrate Claudio and Carmela’s oldest daughter’s 18th birthday. There is a healthy rivalry between the birthday girl and her 15-year-old sister Chiara as they compete on the dancefloor. It is a happy occasion, and the close-knit family are on top form. However, everything changes the next day when the father disappears. Chiara, unconvinced by the cover story, starts to investigate. As she gets closer to the truth, she is forced to decide what kind of future she wants for herself.
Conman Robert Freegard poses as an undercover MI5 agent and kidnaps countless victims amidst a high-stakes manhunt, until the woman who fell for him brings him to justice.